promote international cooperation within different specific fields of acoustics, provide assistance in organizing EAA events, suggest special issues for Acta Acustica or Acoustics in Practice, initiate studies and prepare documents such as strategies, policy statements, state-of-the-art assessments, reports, etc, within its defined technical field.

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M2_ATIAM Music perception and cognition

Université Pierre et Marie Curie

Docent
  • Daniel Pressnitzer
Type
Lecture
Term
early spring semester
Subject type
Optional
Study path
Master of Engineering / Master of Information Technology
Specialisation/branch
Eng-AC / Info-SAR - Acoustics, Signal Analysis and Information Technology Applied to Music (ATIAM)
Keywords
present a panorama of current research on auditory perception, as relevant for music, in order to better understand the mechanisms involved: Brief history of the field - Psychophysical methods - Physiology of the auditory system - Elementary characteristics of auditory perception (audibility, masking, etc) - Applications (audio coding, auditory prosthesis) - Perception of musical pitch - Perception of timbre - Auditory scene analysis - Pattern recognition (Gestalt theory) - Cognitive categorization - Cognitive neurosciences of music - Learning and musical acculturation
Total ECTS credit
3.0
Examination
final exam
Language
Webpage
http://www.atiam.ircam.fr/
Last modified
Nov. 30, 2024, 1:43 p.m.

The European Acoustics Association (EAA) is a non-profit entity established in 1992 that includes in its membership societies predominantly in European countries interested in to promote development and progress of acoustics in its different aspects, its technologies and applications. EAA gathers 33 societies of acoustics and serves more than 9000 individual members all over Europe. The European Acoustics Association (EAA) is an Affiliate Member of the International Commission for Acoustics (ICA) and of Initiative of Science in Europe (ISE).

Contact us: eaa [at] euracoustics [dot] org

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